Tag Archives: dslr film-making

DSLR film making

cinematography

 

In this post I would like to spend a few words on how cinematography was a gift to me, in the same way DSLR film making has been.

I guess I was born in a very judgmental family. Back in the days my mum and dad used to chat a lot about how things should have been done, how they would have done stuff, how this or that was entirely wrong and so on. Call it fate or Karma, but in the end I ended up being a super critic for a long part of my life. Just because I did not realize I was critic, to me it was just being “normal”. Apart from the fact that it’s hard to draw a line, and say what can be considered normal and what can’t,  I guess it’s just how you feel about your world.

Doing some group therapy, getting a partner and having a baby…. well, that changed my life. Even more doing what most might call “spiritual” work, rather I would rather call it just food for your soul. The path ahead of me it’s rather long, mostly you will never end walking,  again that is just “normal” now.

How to become a cinematographer

DSLR film making

 

It safe to agree that taking pictures and film making differ but the term “motion picture” is somehow strongly related to photography.
In other terms, we could say that making films is taking pictures with a motion camera. This art is also known as Cinematography.

What difference is there between the term “cinematographer” and “director of photography” often abbreviated in DP or DoP ? To many, both terms seem quite interchangeable. Some insist that a cinematographer is a DP sitting behind the camera, but this is far from being universally accepted.

The last ISCORAMA anamorphic

ISCO BlUE STAR

 

I damn well know this is not an Iscorama 36, 42 or 54.

Iscorama Anamorphics are very well know among  anamorphic lovers for a variety of reasons.Above all they are tack sharp. Secondly with anamorphic adapters you have to  focus both the taking lens and the adapter, which it comes as no less than a pain in the neck – it requires time and patience and it might not always lead to the best results as the lenses are not working “in sync”.
The true beauty of the very pricy Iscoramas (getting sold for $3000 on Ebay and appearing in the listing once in a blue moon) is that you focus to infinity on the taking lens and then rack focus with the adapter .. like you would do with regular aspherical lens. Tour life will be a lot easier as a shooter. Next step from the Iscoramas are the Vantage Hawks ($30,000) or the Panavisions.. which you might only rent unless you’re rolling in money.